There is music born out of daily living; the incidental rhythm and melody we use to help us ork in sync, or help a baby sleep, or find our missing dog. The cry of the street vendor is a classic example of this music of necessity. It is a completely natural musical expression that is functional in character; a man raises his voice to call attention to his wares.
 

 
The Street Cries project is an exploration of the music of the streets; musical tools used in daily life for practical effect. The calls of street vendors, while more prevalent in Chicago years ago, can still be heard throughout the world. Vendors sing out loud about their avocados, sweet watermelon, knife sharpening and shoe shining. The more attractive the song, the more successful the sale.
 
In a child's hospital room, there is a similar stream of visitors each day. Nurses come to check vitals, doctors come with information, food service brings the lunchtray. We began to wonder: what if, instead of coming to a child's room uninvited, all of these characters passed through the hospital halls calling out their wares, and the children could respond if they liked what was offered? What would the 'street cry' of a doctor or nurse sound like? How would they sweeten up what they had so kids would buy it?
 
Children at Rush University Medical Center listened to field recordings of world street cries. We then came up with a structure: find a lyrical way to describe what's on offer, stretch the words into a melodic line, add percussive sounds for effect, and repeat.
 
The children of Snow City Arts drew upon the unique heritage of this music to make compositions of their own that reflect the beauty, pain, and humor of life in the hospital.
 
Jamie Topper · Musician-in-Residence · Rush University Children's Hospital
Scans, scans!
by Mira, age 11
Bloodcheck!
by Dori, age 12
PAIN!
by Brandon, age 13
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